{"id":1723,"date":"2009-05-29T01:04:00","date_gmt":"2009-05-29T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1723"},"modified":"2009-05-29T01:04:00","modified_gmt":"2009-05-29T08:04:00","slug":"compatible_quotes_red_mitchell","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/05\/compatible_quotes_red_mitchell\/","title":{"rendered":"Compatible Quotes: Red Mitchell"},"content":{"rendered":"<blockquote><p><em>Red played the most gorgeous melodic solos of anybody on any instrument. I think maybe he and Lester Young were in the same league. The fact that it was coming out of a string bass was mind-boggling.<\/em> &#8212; Jim Hall<\/p><\/blockquote>\n<blockquote><p><em>Simple isn&#8217;t easy<\/em>. &#8212; Red Mitchell<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Red played the most gorgeous melodic solos of anybody on any instrument. I think maybe he and Lester Young were in the same league. The fact that it was coming out of a string bass was mind-boggling. &#8212; Jim Hall Simple isn&#8217;t easy. &#8212; Red Mitchell<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1723","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1723"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1723\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}