{"id":1720,"date":"2009-05-27T01:05:00","date_gmt":"2009-05-27T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1720"},"modified":"2009-05-27T01:05:00","modified_gmt":"2009-05-27T08:05:00","slug":"blogging_must_sometimes_take_a","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/05\/blogging_must_sometimes_take_a\/","title":{"rendered":"Bases Loaded"},"content":{"rendered":"

\"Bases<\/a><\/span>Blogging must sometimes take a back seat to gainful employment. I’m roundin’ third and headin’ home*<\/big> in one deadline project, an essay and play-by-play account of the music for the Anita O’Day entry in the next Jazz Icons<\/strong> series**<\/big>. It has been an adventure in research into the two European concerts on the DVD. As soon as that wraps up, I’ll begin notes for Bud Shank’s<\/a> final CD, then a piece about Emil Viklick\u00c3\u00bd’s<\/a> forthcoming trio CD with George Mraz and Lewis Nash. I may even get in a little work on my alleged next novel. While all that’s going on, I hope to bring you a few items of interest. Thanks for your patience.
\n*<\/big>For puzzled readers not in the US, that is a quaint allusion to baseball<\/a>. <\/em>
\n**<\/big>Here are the titles, coming out in October:
\nColeman Hawkins<\/strong>– Live in ’64- (w\/ Sweets Edison)
\nArt Blakey<\/strong>– Live in ’65- (w\/ Freddie Hubbard)
\nMax Roach<\/strong> – Live in ’68
\nJimmy Smith<\/strong>– Live in ’65 & ’69
\nWoody Herma<\/strong>n- Live in ’64
\nAnita O’Day<\/strong>– Live In ’63 & ’70
\nArt Farmer<\/strong>– Live In ’64- (w\/ Jim Hall)
\nBoxed Set<\/strong> featuring bonus performances, including a one-hour unseen Coleman Hawkins concert from the Adolphe Sax Festival in Belgium in 1962.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Blogging must sometimes take a back seat to gainful employment. I’m roundin’ third and headin’ home* in one deadline project, an essay and play-by-play account of the music for the Anita O’Day entry in the next Jazz Icons series**. It has been an adventure in research into the two European concerts on the DVD. As […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1720","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1720"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1720\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}