{"id":1717,"date":"2009-05-24T01:02:00","date_gmt":"2009-05-24T08:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1717"},"modified":"2009-05-24T01:02:00","modified_gmt":"2009-05-24T08:02:00","slug":"dvd_lennie_breau_brad_terry","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/05\/dvd_lennie_breau_brad_terry\/","title":{"rendered":"DVD: Lennie Breau &#038; Brad Terry"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Breau%20%26%20Terry.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Breau &amp; Terry.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/Breau &amp; Terry-thumb-101x144-6872.jpg\" width=\"101\" height=\"144\" class=\"mt-image-none\" style=\"\" \/><\/a><\/span><br \/>\n<strong>Lenny Breau &#038; Brad Terry<\/strong> <em><a href=\"http:\/\/www.artofliferecords.com\/mainefestival.html\"target=\"_blank\">Live at the Maine Festival<\/a><\/em> (Art of Life). The genius guitarist and one of Breau&#8217;s favorite duet partners, clarinetist and whistler Terry, are on camera for &#8220;Emily&#8221; and &#8220;Autumn Leaves&#8221; in a 1980 concert. They are heard but not seen for &#8220;Limehouse Blues&#8221; and &#8220;Make Someone Happy.&#8221; The video quality is subaqueous, but clear enough for you to detect their enjoyment. The sound is okay in the video, excellent in the audio-only portions. The playing is inspired throughout. Bonus features include an interview with Terry and a complete Breau discography.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lenny Breau &#038; Brad Terry Live at the Maine Festival (Art of Life). The genius guitarist and one of Breau&#8217;s favorite duet partners, clarinetist and whistler Terry, are on camera for &#8220;Emily&#8221; and &#8220;Autumn Leaves&#8221; in a 1980 concert. They are heard but not seen for &#8220;Limehouse Blues&#8221; and &#8220;Make Someone Happy.&#8221; The video quality [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1717","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1717"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1717\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}