{"id":1712,"date":"2009-05-21T21:30:54","date_gmt":"2009-05-22T04:30:54","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1712"},"modified":"2009-05-21T21:30:54","modified_gmt":"2009-05-22T04:30:54","slug":"compatbile_quotes_on_masters","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/05\/compatbile_quotes_on_masters\/","title":{"rendered":"Compatbile Quotes: On Masters"},"content":{"rendered":"<p><em>We are the masters at the moment, and not only at the moment, but for a very long time to come<\/em>. &#8212; George Bernard Shaw<br \/>\n<em>No art is less spontaneous than mine.\u00e2\u20ac\u00a8What I do is the result of reflection\u00e2\u20ac\u00a8and the study of the great masters.<\/em> &#8212; Edgar Degas\u00e2\u20ac\u00a8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are the masters at the moment, and not only at the moment, but for a very long time to come. &#8212; George Bernard Shaw No art is less spontaneous than mine.\u00e2\u20ac\u00a8What I do is the result of reflection\u00e2\u20ac\u00a8and the study of the great masters. &#8212; Edgar Degas\u00e2\u20ac\u00a8<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1712","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1712"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1712\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}