{"id":1711,"date":"2009-05-21T21:55:30","date_gmt":"2009-05-22T04:55:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1711"},"modified":"2009-05-21T21:55:30","modified_gmt":"2009-05-22T04:55:30","slug":"the_2010_nea_jazz_masters","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/05\/the_2010_nea_jazz_masters\/","title":{"rendered":"The 2010 NEA Jazz Masters"},"content":{"rendered":"<p>From a news release just received:<\/p>\n<blockquote><p>May 21, 2009<br \/>\n<em>Washington, DC<\/em> &#8211; The National Endowment for the Arts (NEA) today announced the recipients of the 2010 NEA Jazz Masters Award &#8211; the nation&#8217;s highest honor in this distinctly American music The eight recipients will each receive a $25,000 grant award and be publicly honored in an awards ceremony and concert on Tuesday, January 12, 2010 at Frederick P. Rose Hall, home of Jazz at Lincoln Center.<br \/>\nThe eight 2010 NEA Jazz Masters are:<br \/>\n<strong>Muhal Richard Abrams<\/strong>, pianist, composer, educator, New York, NY<br \/>\n<strong>Kenny Barron<\/strong>, pianist composer, educator, Brooklyn, NY<br \/>\n<strong>Bill Holman<\/strong>, composer arranger, saxophonist, Los Angeles, CA<br \/>\n<strong>Bobby Hutcherso<\/strong>n, vibraphonist, marimba player, composer, Montara, CA<br \/>\n<strong>Yusef Lateef<\/strong>, saxophonist, flutist, oboist, composer, educator, Amherst, MA<br \/>\n<strong>Annie Ross<\/strong>, vocalist, New York, NY<br \/>\n<strong>Cedar Walton<\/strong>, pianist, composer, Brooklyn, NY<br \/>\n<strong>George Avakian<\/strong>, a jazz producer, manager, critic, and educator from Riverdale, New York, will receive the 2010 A.B Spellman NEA Jazz Masters Award for Jazz Advocacy.\n<\/p><\/blockquote>\n<div style=\"text-align: center;\"><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/abrams105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"abrams105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/abrams105-thumb-105x130-6790.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span> <span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/barron105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"barron105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/barron105-thumb-105x130-6792.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/holman105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"holman105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/holman105-thumb-105x130-6794.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/hutcherson105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"hutcherson105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/hutcherson105-thumb-105x130-6796.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/lateef105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"lateef105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/lateef105-thumb-105x130-6798.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/ross105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"ross105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/ross105-thumb-105x130-6800.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/walton105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"walton105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/walton105-thumb-105x130-6802.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/avakian105.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"avakian105.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/05\/avakian105-thumb-105x130-6804.jpg\" width=\"105\" height=\"130\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span>\n<\/div>\n<p>Congratulations to all. To see the complete NEA announcement,<a href=\"http:\/\/www.arts.gov\/news\/news09\/2010-NEA-Jazz-Masters.html\"target=\"_blank\"> click here<\/a>. To read last week&#8217;s <em>Wall Street Journa<\/em>l profile of George Avakian by Will Friedwald, <a href=\"http:\/\/online.wsj.com\/article\/SB124268773277232197.html\"target=\"_blank\">click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From a news release just received: May 21, 2009 Washington, DC &#8211; The National Endowment for the Arts (NEA) today announced the recipients of the 2010 NEA Jazz Masters Award &#8211; the nation&#8217;s highest honor in this distinctly American music The eight recipients will each receive a $25,000 grant award and be publicly honored in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1711","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1711"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1711\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}