{"id":1696,"date":"2009-05-02T01:05:00","date_gmt":"2009-05-02T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1696"},"modified":"2009-05-02T01:05:00","modified_gmt":"2009-05-02T08:05:00","slug":"weekend_extra_fitzgerald_and_p","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/05\/weekend_extra_fitzgerald_and_p\/","title":{"rendered":"Weekend Extra: Fitzgerald And Peterson"},"content":{"rendered":"<p>Thanks to Julius LaRosa for pointing us toward a performance with the Oscar Peterson Trio by Ella Fitzgerald late in her career. Peterson sits out most of the first chorus. Bassist Niels-Henning \u00c3\u02dcrsted Pedersen generates the powerful swing with Fitzgerald. Then the pianist and drummer Martin Drew join the ride. Ella is rarely singled out for her low-register chops, but take notice of her deep range in the third chorus.<\/p>\n<div style=\"text-align: center;\"><strong>It do mean a thing if it has got that swing<\/strong><\/div>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/MX5HOV811fw&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/MX5HOV811fw&#038;hl=en&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/embed><\/object><\/div>\n<p>Have a good weekend.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to Julius LaRosa for pointing us toward a performance with the Oscar Peterson Trio by Ella Fitzgerald late in her career. Peterson sits out most of the first chorus. Bassist Niels-Henning \u00c3\u02dcrsted Pedersen generates the powerful swing with Fitzgerald. Then the pianist and drummer Martin Drew join the ride. Ella is rarely singled out [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1696","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1696"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1696\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}