{"id":1678,"date":"2009-04-08T01:03:00","date_gmt":"2009-04-08T08:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1678"},"modified":"2009-04-08T01:03:00","modified_gmt":"2009-04-08T08:03:00","slug":"cdsteven_bernstein","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/04\/cdsteven_bernstein\/","title":{"rendered":"CD:Steven Bernstein"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/We%20Are%20MTO.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"We Are MTO.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/04\/We Are MTO-thumb-100x100-4692.jpg\" width=\"100\" height=\"100\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><br \/>\n<strong>Steven Bernstein<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FSteven-Bernsteins-Millennial-Territory-Orchestra%2Fdp%2FB001EOQUJG&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>We Are MTO<\/em><\/a> (Mowo!) Trumpeter Bernstein&#8217;s vision for his Millennial Territory Orchestra runs forward and back, with stops in the 1920s, the future and points between. Inspiration comes from, among others, Fats Waller, McKinney&#8217;s Cotton Pickers, Lennon &amp; McCartney, Preston Jackson (1926) and Ray Charles, with Sun Ra hovering in the background. The melding of tribute and affectionate spoofing includes an irresistible version of the Count Basie staple &#8220;Dickie&#8217;s Dream.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steven Bernstein, We Are MTO (Mowo!) Trumpeter Bernstein&#8217;s vision for his Millennial Territory Orchestra runs forward and back, with stops in the 1920s, the future and points between. Inspiration comes from, among others, Fats Waller, McKinney&#8217;s Cotton Pickers, Lennon &amp; McCartney, Preston Jackson (1926) and Ray Charles, with Sun Ra hovering in the background. The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1678","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1678"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1678\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}