{"id":1675,"date":"2009-04-07T01:05:00","date_gmt":"2009-04-07T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1675"},"modified":"2009-04-07T01:05:00","modified_gmt":"2009-04-07T08:05:00","slug":"other_places_brubeck_brubeck_a","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/04\/other_places_brubeck_brubeck_a\/","title":{"rendered":"Other Places: Brubeck, Brubeck And Adams"},"content":{"rendered":"<p>The news from Connecticut is that Dave Brubeck&#8217;s two-week hospitalization for a viral infection is at an end.  The setback made him miss the premiere in California last week of a new orchestral work inspired by Ansel Adams.  He and his son Chris had been working on it for a year.  Brubeck is back home and back at work, but his doctors felt that a transcontinental trip was not a good idea for a recuperating 88-year-old. In advance of the premiere, Paul Conley spoke with the Brubecks, father and son, and did a report for National Public Radio. To hear it and see one of Adams&#8217; most famous photos, <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=102656153\"target=\"_blank\">follow this link<\/a> and click on &#8220;Listen.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The news from Connecticut is that Dave Brubeck&#8217;s two-week hospitalization for a viral infection is at an end. The setback made him miss the premiere in California last week of a new orchestral work inspired by Ansel Adams. He and his son Chris had been working on it for a year. Brubeck is back home [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1675","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1675"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1675\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}