{"id":1670,"date":"2009-03-27T17:55:57","date_gmt":"2009-03-28T00:55:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1670"},"modified":"2009-03-27T17:55:57","modified_gmt":"2009-03-28T00:55:57","slug":"sue_raneys_dreamsville","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/03\/sue_raneys_dreamsville\/","title":{"rendered":"Sue Raney&#8217;s &#8220;Dreamsville&#8221;"},"content":{"rendered":"<p>Okay, we&#8217;ve had enough fun with Sue Raney&#8217;s <em>Scopitone<\/em> romp in the park. To see it and the comments about it, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2009\/03\/sue_sue_what_were_you_thinking.html#comments\" target=\"_blank\">go here<\/a>. But first, watch and listen to Ms. Raney sing a Henry Mancini song that has long been one of her signature pieces. This is the sort of thing I had in mind the other day when I used the adjective &#8220;divine&#8221; in referring to her.<\/p>\n<div style=\"text-align: center;\"><object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/e9RL53MI2fg&amp;hl=en&amp;fs=1\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/e9RL53MI2fg&amp;hl=en&amp;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/object><\/div>\n<p>I don&#8217;t know who the alto saxophone soloist is. He did a lovely job with the bridge.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Okay, we&#8217;ve had enough fun with Sue Raney&#8217;s Scopitone romp in the park. To see it and the comments about it, go here. But first, watch and listen to Ms. Raney sing a Henry Mancini song that has long been one of her signature pieces. This is the sort of thing I had in mind [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1670","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1670"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1670\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}