{"id":167,"date":"2005-09-27T01:04:00","date_gmt":"2005-09-27T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=167"},"modified":"2005-09-27T01:04:00","modified_gmt":"2005-09-27T08:04:00","slug":"freds_still_ahead_part_two","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/09\/freds_still_ahead_part_two\/","title":{"rendered":"Fred&#8217;s Still Ahead, Part Two"},"content":{"rendered":"<p>Cal Tjader, Schreiber&#8217;s boss, was a major fan of his bass playing and of his word play.  The drummer and radio host Dick McGarvin sent this recollection.<\/p>\n<blockquote><p>One of the people fond of quoting Freddie Schreiber&#8217;s classic lines was Cal himself.   And it was from him that I first heard them.  I met Cal in 1965 when I was working at KVI in Seattle and he would appear at The Penthouse.   He&#8217;d come off the stand, sit down at my table and say, &#8220;So, what did you think of my angular probing lines?  How about my relentless, throbbing beat?&#8221;    Cal had a great sense of humor and thought the lines were hilarious.  He continued the practice  after I&#8217;d moved to San Francisco and would see him at El Matador.<\/p><\/blockquote>\n<p>McGarvin is now in Los Angeles. Why won&#8217;t these broadcast people stay put?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cal Tjader, Schreiber&#8217;s boss, was a major fan of his bass playing and of his word play. The drummer and radio host Dick McGarvin sent this recollection. One of the people fond of quoting Freddie Schreiber&#8217;s classic lines was Cal himself. And it was from him that I first heard them. I met Cal in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-167","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/167\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}