{"id":1642,"date":"2009-03-04T01:05:05","date_gmt":"2009-03-04T09:05:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1642"},"modified":"2009-03-04T01:05:05","modified_gmt":"2009-03-04T09:05:05","slug":"compatible_quotes_on_restraint","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/03\/compatible_quotes_on_restraint\/","title":{"rendered":"Compatible Quotes: On Restraint"},"content":{"rendered":"<blockquote><p><em>Don&#8217;t play what&#8217;s there. Play what&#8217;s not there<\/em>.&#8211;Miles Davis<\/p><\/blockquote>\n<blockquote><p><em>Simplicity is the highest goal, achievable when you have overcome all difficulties. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art<\/em>.&#8211;Frederic Chopin<\/p><\/blockquote>\n<blockquote><p><em>Rests always sound well<\/em>.&#8211;Arnold Schoenberg<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Don&#8217;t play what&#8217;s there. Play what&#8217;s not there.&#8211;Miles Davis Simplicity is the highest goal, achievable when you have overcome all difficulties. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.&#8211;Frederic Chopin Rests always sound well.&#8211;Arnold Schoenberg<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1642","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1642"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1642\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}