{"id":1640,"date":"2009-02-28T10:15:29","date_gmt":"2009-02-28T18:15:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1640"},"modified":"2009-02-28T10:15:29","modified_gmt":"2009-02-28T18:15:29","slug":"correspondence_the_be_bop_car","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/02\/correspondence_the_be_bop_car\/","title":{"rendered":"Correspondence: The Be Bop Car"},"content":{"rendered":"

Concerning the “Driving Be Bop” item below, Ted O’Reilly writes from Toronto:”\u00a0<\/p>\n

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Here’s a picture I took in St. Maarten in the Caribbean, in Oct. 2006. It’s the nameplate of a car — can’t remember which Asian vehicle it was, but one less-familiar to us in N. America — perhaps a Daihatsu? Anyway, must be a tenor fan who came up with
\nit…<\/p><\/blockquote>\n

\"Getz<\/a><\/span>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Concerning the “Driving Be Bop” item below, Ted O’Reilly writes from Toronto:”\u00a0 Here’s a picture I took in St. Maarten in the Caribbean, in Oct. 2006. It’s the nameplate of a car — can’t remember which Asian vehicle it was, but one less-familiar to us in N. America — perhaps a Daihatsu? Anyway, must be […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1640","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1640"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1640\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}