{"id":164,"date":"2005-09-19T16:34:56","date_gmt":"2005-09-19T23:34:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=164"},"modified":"2005-09-19T16:34:56","modified_gmt":"2005-09-19T23:34:56","slug":"crunk","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/09\/crunk\/","title":{"rendered":"Crunk"},"content":{"rendered":"<p>I&#8217;ve been away. It&#8217;s been days since I checked into what my ArtsJournal.com colleagues are writing about. Martha Bayles is the movie person, but she&#8217;s also perceptive on my former calling. I&#8217;m probably the one who ought to be writing about the performance of television (and cable) news in the Katrina disaster aftermath. I don&#8217;t think I could have assessed one embarassing aspect of it more effectively than Martha did in <a href=\"http:\/\/www.artsjournal.com\/popcorn\/archives\/2005\/09\/crunk_news_netw.php\"target=\"_blank\">this recent piece<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been away. It&#8217;s been days since I checked into what my ArtsJournal.com colleagues are writing about. Martha Bayles is the movie person, but she&#8217;s also perceptive on my former calling. I&#8217;m probably the one who ought to be writing about the performance of television (and cable) news in the Katrina disaster aftermath. I don&#8217;t [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-164","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/164\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}