{"id":1636,"date":"2009-02-26T01:00:00","date_gmt":"2009-02-26T09:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1636"},"modified":"2009-02-26T01:00:00","modified_gmt":"2009-02-26T09:00:00","slug":"portland_jazz_festival_part_4_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/02\/portland_jazz_festival_part_4_1\/","title":{"rendered":"Portland Jazz Festival, Part 4"},"content":{"rendered":"<p>Howard Mandel suffered a transportation glitch, but gamely picked up the reporting on the Portland Jazz Festival that I left dangling. The proprietor of <em>Jazz Beyond Jazz<\/em>, Howard does a fine job of pulling together the loose Portland ends. He manages to incorporate three video clips, including one of Laurel and Hardy that I could watch all night. To see his omnibus piece, <a href=\"http:\/\/www.artsjournal.com\/jazzbeyondjazz\/2009\/02\/jajouka-beyond-jazz_public_int.html\"target=\"_blank\">click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Howard Mandel suffered a transportation glitch, but gamely picked up the reporting on the Portland Jazz Festival that I left dangling. The proprietor of Jazz Beyond Jazz, Howard does a fine job of pulling together the loose Portland ends. He manages to incorporate three video clips, including one of Laurel and Hardy that I could [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1636","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1636"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1636\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}