{"id":1625,"date":"2009-02-21T11:35:13","date_gmt":"2009-02-21T19:35:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1625"},"modified":"2009-02-21T11:35:13","modified_gmt":"2009-02-21T19:35:13","slug":"weekend_extra_hyman_and_waller","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/02\/weekend_extra_hyman_and_waller\/","title":{"rendered":"Weekend Extra: Hyman and Waller"},"content":{"rendered":"

Earlier this week, Dick Hyman played a noontime recital at a church in Manhattan. Fellow artsjournal<\/em> blogger Jan Herman was there with his camera and posted videos of Hyman playing Fats Waller’s “My Fate Is In Your Hands” and “Bach Up To Me.” To see Jan’s piece and hear Hyman, go here<\/a>.
\nWhen you come back, if you want more Waller — and, of course, you will — click on these links to hear Fats play:
\n“My Fate Is In Your Hands,<\/a>
\n” Valentine Stomp” (take one<\/a>)
\nand
\n“Valentine Stomp” (take two)<\/a>, all from 1929.
\nThere. Now, don’t you feel better?
\n\"fats_waller-never_knows02.jpg\"<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Earlier this week, Dick Hyman played a noontime recital at a church in Manhattan. Fellow artsjournal blogger Jan Herman was there with his camera and posted videos of Hyman playing Fats Waller’s “My Fate Is In Your Hands” and “Bach Up To Me.” To see Jan’s piece and hear Hyman, go here. When you come […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1625","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1625"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1625\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}