{"id":1620,"date":"2009-02-17T14:59:16","date_gmt":"2009-02-17T22:59:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1620"},"modified":"2009-02-17T14:59:16","modified_gmt":"2009-02-17T22:59:16","slug":"rifftides_elsewhere","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/02\/rifftides_elsewhere\/","title":{"rendered":"Rifftides Elsewhere"},"content":{"rendered":"<p>The <em>Rifftides<\/em> staff was surprised and pleased to find <em>Rifftides<\/em> praised in Beckey Bright&#8217;s &#8220;Blog Watch&#8221; column in today&#8217;s <em>Wall Street Journal<\/em>. Ms. Bright also singles out Ethan Iverson&#8217;s <em>Do The Mat<\/em>h and Jeffrey Siegel&#8217;s <em>Straight No Chaser<\/em>. Her other topic today is weddings.&#8221;\u00a0<\/p>\n<div><\/div>\n<div>To read &#8220;Blog Watch&#8221; and find links to Iverson and Siegel, <a href=\"http:\/\/online.wsj.com\/article\/SB123447761781079465.html\" target=\"_blank\">go here<\/a>.  <\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Rifftides staff was surprised and pleased to find Rifftides praised in Beckey Bright&#8217;s &#8220;Blog Watch&#8221; column in today&#8217;s Wall Street Journal. Ms. Bright also singles out Ethan Iverson&#8217;s Do The Math and Jeffrey Siegel&#8217;s Straight No Chaser. Her other topic today is weddings.&#8221;\u00a0 To read &#8220;Blog Watch&#8221; and find links to Iverson and Siegel, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1620","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1620"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1620\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}