{"id":1611,"date":"2009-02-06T17:07:05","date_gmt":"2009-02-07T01:07:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1611"},"modified":"2009-02-06T17:07:05","modified_gmt":"2009-02-07T01:07:05","slug":"hard_bop_continued","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/02\/hard_bop_continued\/","title":{"rendered":"Hard Bop, Continued"},"content":{"rendered":"<p>Response to the <em>Rifftides<\/em> post on hard bop has created a lively discussion. <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2009\/02\/correspondence_hard_bop.html#comments\" target=\"_blank\">You can read the comments here<\/a>. In addition to the Savoy CD called <em>Hard Bop<\/em> that was, more or less, the focus of the piece, the commenters mention or allude to other albums. If you&#8217;re thinking of expanding  the hard bop (if there is such a thing) section of your library, or starting one, here are a few worthy candidates. Other nominations will be accepted in the &#8220;Comments&#8221; section. The links will take you to&#8221;\u00a0<span class=\"Apple-style-span\" style=\"font-style: italic;\">Amazon.com<\/span> pages that in most cases provide audio samples.&#8221;\u00a0<\/p>\n<div><\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Night%20at%20Birdland.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Night at Birdland.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Night at Birdland-thumb-110x110-3428.jpg\" width=\"110\" height=\"110\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><\/p>\n<div>Art Blakey, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FNight-Birdland-Vol-1%2Fdp%2FB00005MIZ8&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>A Night At Birdland<\/em><\/a>, Vols. 1 &amp; 2 (Blue Note), 1954&#8243;\u00a0<br \/>\n<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3Dhorace%2Bsilver%2Band%2Bthe%2Bjazz%2Bmessengers%26x%3D21%26y%3D26&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em><\/em><\/a><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3Dhorace%2Bsilver%2Band%2Bthe%2Bjazz%2Bmessengers%26x%3D21%26y%3D26&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Horace Silver and the Jazz Messengers<\/a><\/em> (Blue Note), 1954-5<\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Horace%2C%20JM.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Horace, JM.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Horace, JM-thumb-110x110-3430.jpg\" width=\"110\" height=\"110\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a><\/span><\/p>\n<div>&#8221;\u00a0\n<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Study%20in%20Brown.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Study in Brown.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Study in Brown-thumb-110x110-3432.jpg\" width=\"110\" height=\"110\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><\/p>\n<div>Max Roach &amp; Clifford Brown, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FStudy-Brown-Clifford%2Fdp%2FB0000046NG%2F&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Study In Brown<\/em><\/a> (EmArcy),&#8221;\u00a0<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div>1955<br \/>\nThe Adderley Brothers, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3DThe%2BAdderley%2BBrothers%2BSummer%2Bof%2B%252755%26x%3D18%26y%3D22&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>The Summer of &#8217;55<\/em><\/a> (Savoy)<\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Adderleys.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Adderleys.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Adderleys-thumb-110x110-3434.jpg\" width=\"110\" height=\"110\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a><\/span><\/p>\n<div>&#8221;\u00a0<br \/>\n<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3Dsonny%2Brollins%2Bplus%2B4%26sprefix%3DSonny%2BRollins%2B&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em><\/em><\/a><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Rollins.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Rollins.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Rollins-thumb-110x110-3436.jpg\" width=\"110\" height=\"110\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><\/p>\n<div><em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3Dsonny%2Brollins%2Bplus%2B4%26sprefix%3DSonny%2BRollins%2B&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Sonny Rollins Plus Four<\/a><\/em> (Prestige), 1956&#8243;\u00a0\n<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div>Sonny Clark, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FCool-Struttin-Sonny-Clark%2Fdp%2FB00000IL28%3Fie%3DUTF8%26qid%3D1233967878%26sr%3D1-1&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Cool Struttin&#8217;<\/em><\/a> (Blue Note), 1957<\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Clark.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Clark.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Clark-thumb-110x110-3438.jpg\" width=\"110\" height=\"110\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a><\/span><\/p>\n<div>&#8221;\u00a0\n<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Blakey%20Paris.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Blakey Paris.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Blakey Paris-thumb-110x110-3440.jpg\" width=\"110\" height=\"110\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><\/p>\n<div>Art Blakey&#8217;s Jazz Messengers, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3DArt%2BBlakey%2527s%2BJazz%2BMessengers%2BParis%2BOlympia%2B-%2B1958%26x%3D22%26y%3D22&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Paris Olympia &#8211; 195<\/em><\/a>8 (Mercury)&#8221;\u00a0<br \/>\n<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3DHorace%2BSilver%2BTrio%2Band%2BQuintet%26x%3D12%26y%3D21&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em><\/em><\/a><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"font-style: italic;\"><br \/><\/span><\/div>\n<div><em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3DHorace%2BSilver%2BTrio%2Band%2BQuintet%26x%3D12%26y%3D21&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Horace Silver Trio and Quintet<\/a><\/em> (Blue Note), 1959<\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Silver%20Blowin%27.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Silver Blowin'.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Silver Blowin'-thumb-110x110-3442.jpg\" width=\"110\" height=\"110\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a><\/span><\/p>\n<div>&#8221;\u00a0\n<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Mobley.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Mobley.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/02\/Mobley-thumb-110x110-3444.jpg\" width=\"110\" height=\"110\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span><\/p>\n<div>Hank Mobley, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Dpopular%26field-keywords%3DHank%2BMobley%2BRoll%2BCall%26x%3D0%26y%3D0&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Roll Cal<\/em><\/a>l (Blue Note), 1960<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Response to the Rifftides post on hard bop has created a lively discussion. You can read the comments here. In addition to the Savoy CD called Hard Bop that was, more or less, the focus of the piece, the commenters mention or allude to other albums. If you&#8217;re thinking of expanding the hard bop (if [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1611","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1611"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1611\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}