{"id":1602,"date":"2009-01-28T01:04:00","date_gmt":"2009-01-28T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1602"},"modified":"2009-01-28T01:04:00","modified_gmt":"2009-01-28T09:04:00","slug":"frishberg_reports_on_the_show","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/01\/frishberg_reports_on_the_show\/","title":{"rendered":"Frishberg Reports On The Show"},"content":{"rendered":"<p>Not long after I posted the item above, Mr. Frishberg sent this:&#8221;\u00a0<\/p>\n<div><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p>The show is running smoothly, and the audience seems to love it.  It&#8217;s a small space, 99 seats,  no proscenium, so it&#8217;s like 3\/4 in-the-round.   Actors play practically in the laps of the audience.   There are six musical events in the show, and all are warmly received.  The cast is wonderful;  the best singers are Dorothy Parker and Heywood Broun.  Just piano accompaniment (not by me).   Four performances left, including two matinees.   The play seems a natural for off Broadway in New York.   I hope it happens.  It&#8217;s been a challenging and rewarding project,  and I&#8217;m glad it&#8217;s over.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Not long after I posted the item above, Mr. Frishberg sent this:&#8221;\u00a0 The show is running smoothly, and the audience seems to love it. It&#8217;s a small space, 99 seats, no proscenium, so it&#8217;s like 3\/4 in-the-round. Actors play practically in the laps of the audience. There are six musical events in the show, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1602","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1602"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1602\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}