{"id":160,"date":"2005-09-09T01:03:30","date_gmt":"2005-09-09T08:03:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=160"},"modified":"2005-09-09T01:03:30","modified_gmt":"2005-09-09T08:03:30","slug":"comment_3","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/09\/comment_3\/","title":{"rendered":"Comment"},"content":{"rendered":"<p>Richard Tabnik writes:<\/p>\n<blockquote><p>heard the &#8216;new&#8217; bird and diz?<br \/>\namazing&#8230;if that had come out 60 years ago, the entire concept of saxophone would be different<br \/>\nwhew!<\/p><\/blockquote>\n<p>From the August 8 <em>Rifftides<\/em> posting:<\/p>\n<blockquote><p>Throughout, Gillespie\u00e2\u20ac\u2122s control, range, harmonic ingenuity, melodic inventiveness and time\u00e2\u20ac\u201dabove all, his time\u00e2\u20ac\u201dare breathtaking. In these performances, he and Parker give profound meaning to Dizzy\u00e2\u20ac\u2122s frequently-quoted description of Bird as, \u00e2\u20ac\u0153the other half of my heartbeat.\u00e2\u20ac\u009d<\/p><\/blockquote>\n<p>To read the whole entry, go <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/08\/most_people_ali.html\"target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Tabnik writes: heard the &#8216;new&#8217; bird and diz? amazing&#8230;if that had come out 60 years ago, the entire concept of saxophone would be different whew! From the August 8 Rifftides posting: Throughout, Gillespie\u00e2\u20ac\u2122s control, range, harmonic ingenuity, melodic inventiveness and time\u00e2\u20ac\u201dabove all, his time\u00e2\u20ac\u201dare breathtaking. In these performances, he and Parker give profound meaning [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-160","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=160"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/160\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}