{"id":1598,"date":"2009-01-24T16:48:53","date_gmt":"2009-01-25T00:48:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1598"},"modified":"2009-01-24T16:48:53","modified_gmt":"2009-01-25T00:48:53","slug":"weekend_extra_why_fight","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/01\/weekend_extra_why_fight\/","title":{"rendered":"Weekend Extra: Why Fight?"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/01\/Why Fight The Feeling-thumb-110x110-3210.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Thumbnail image for Why Fight The Feeling.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/01\/Why Fight The Feeling-thumb-110x110-3210-thumb-110x110-3211.jpg\" width=\"110\" height=\"110\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span>By tradition and general agreement in the reviewing trade, it is considered unprofessional and tacky to write about a recording to which one has contributed liner notes. Therefore, I have not written about Rebecca Kilgore&#8217;s and Dave Frishberg&#8217;s<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FWhy-Fight-Feeling-Songs-Loesser%2Fdp%2FB001BPB1PQ&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em> Why Fight The Feeling?<\/em><\/a>, a collection of songs by Frank Loesser. However, I have no qualms about alerting you to the welcome fact that Carol Sloane has switched on her blog after a month of reticence. She posts a number of items, in one of which she writes:&#8221;\u00a0<\/p>\n<div><\/div>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p>Rebecca sings the songs to perfection. No fuss, no unnecessary embellishment, dead-on pitch. Hers is a cheery sounding voice and her diction is impeccable. My kind of singer. Dave&#8217;s jaunty piano style is the perfect compliment for her, and they include a great many verses sinfully ignored by many.<\/p><\/blockquote>\n<blockquote class=\"webkit-indent-blockquote\" style=\"margin: 0 0 0 40px; border: none; padding: 0px;\"><p><\/p><\/blockquote>\n<div>\n<div>\nAmen. To find Sloane and read her recent post, <a href=\"http:\/\/sloaneview.blogspot.com\/2009\/01\/first-day-of-obama-administration.html\">click here<\/a>.<\/div>\n<div><\/div>\n<div>Here is Ms. Kilgore enjoying herself and the company she&#8217;s in at a jazz festival in downtown Europe. The song is not by Loesser, but by Dorothy Fields and Jimmy McHugh. Her co-conspirators are:<\/div>\n<div><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 12px; \"><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-size: 12px;\"><br \/><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: rgb(0, 0, 0); font-family: Arial; font-size: 12px; \">Michael Supnick (trombone), Evan Christopher (clarinet), Rossano Sportiello (piano), Lino Patruno (guitar), Guido Giacomini (bass), Giampaolo Biagi (drums). Ascona(Switzerland), July 5, 2001<\/span><\/div>\n<div><\/div>\n<div style=\"text-align: center;\"><embed src=\"http:\/\/www.youtube.com\/v\/welbmPNcEuI&amp;hl=en&amp;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\">\n<\/div>\n<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>By tradition and general agreement in the reviewing trade, it is considered unprofessional and tacky to write about a recording to which one has contributed liner notes. Therefore, I have not written about Rebecca Kilgore&#8217;s and Dave Frishberg&#8217;s Why Fight The Feeling?, a collection of songs by Frank Loesser. However, I have no qualms about [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1598","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1598"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1598\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}