{"id":1594,"date":"2009-01-22T12:21:00","date_gmt":"2009-01-22T20:21:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1594"},"modified":"2009-01-22T12:21:00","modified_gmt":"2009-01-22T20:21:00","slug":"poodie_james_announcement","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/01\/poodie_james_announcement\/","title":{"rendered":"Poodie James Announcement"},"content":{"rendered":"

\"Thumbnail<\/a><\/span>The publisher of Poodie James<\/em>”\u00a0has good news for you, if not for my royalty statements. He has reduced the price. If you have yet to pick up a copy, be advised that the book is available here<\/a> and here<\/a>. From a review:”\u00a0<\/p>\n

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I’ll cut to the chase: Poodie James<\/em> is a very good book. Not only is it handsomely and lyrically written, but Ramsey’s snapshots of small-town life circa 1948 are altogether convincing, and he has even brought off the immensely difficult trick of worming his way into the consciousness of a deaf person without betraying the slightest sense of strain… Ramsey is no less adept at sketching the constant tension between tolerance and suspicion that is part and parcel of the communal life of every small town.”\u00a0<\/p><\/blockquote>\n

”\u00a0”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0”\u00a0<\/p><\/blockquote>\n

”\u00a0”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 ”\u00a0 — Terry Teachout, commentarymagazine.com<\/em><\/p><\/blockquote>\n

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\nTo read the full review, go here<\/a>.<\/div>\n<\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

The publisher of Poodie James”\u00a0has good news for you, if not for my royalty statements. He has reduced the price. If you have yet to pick up a copy, be advised that the book is available here and here. From a review:”\u00a0 I’ll cut to the chase: Poodie James is a very good book. Not […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1594","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1594"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1594\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}