{"id":1586,"date":"2009-01-15T01:03:00","date_gmt":"2009-01-15T09:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1586"},"modified":"2009-01-15T01:03:00","modified_gmt":"2009-01-15T09:03:00","slug":"cd_brooklyn_undergrounders_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2009\/01\/cd_brooklyn_undergrounders_1\/","title":{"rendered":"CD: Brooklyn Undergrounders"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Brooklyn.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Brooklyn.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/01\/Brooklyn-thumb-110x106-3091.jpg\" width=\"110\" height=\"106\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" \/><\/a><\/span>Various, <a href=\"http:\/\/www.bjurecords.com\/\" target=\"_blank\"><em>Brooklyn Jazz Underground, Volume 3<\/em><\/a> (BJU). If you have heard that Brooklyn is a hotbed of young jazz artists but haven&#8217;t the foggiest idea what they are about, this compilation will give you a summary. Twenty-eight musicians in combinations from a duo to a sextet stretch your ears and the definition&#8211;if there is one&#8211;of jazz.  The diversity of approaches includes a viola-bass clarinet duet that sounds like French impressionism and a fine &#8220;Body and Soul&#8221; by tenor saxophonist Jerome Sabbagh.<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Various, Brooklyn Jazz Underground, Volume 3 (BJU). If you have heard that Brooklyn is a hotbed of young jazz artists but haven&#8217;t the foggiest idea what they are about, this compilation will give you a summary. Twenty-eight musicians in combinations from a duo to a sextet stretch your ears and the definition&#8211;if there is one&#8211;of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1586","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1586"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1586\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}