{"id":1567,"date":"2008-12-29T01:04:00","date_gmt":"2008-12-29T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1567"},"modified":"2008-12-29T01:04:00","modified_gmt":"2008-12-29T09:04:00","slug":"compatible_quotes_computers","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/12\/compatible_quotes_computers\/","title":{"rendered":"Compatible Quotes: Computers"},"content":{"rendered":"<blockquote><p><em>User, n.  The word computer professionals use when they mean &#8220;idiot.&#8221;<\/em>  ~Dave Barry&#8221;\u00a0<br \/>\n<em><\/em><\/p><\/blockquote>\n<blockquote><p><em>But they are useless.  They can only give you answers.<\/em>  ~Pablo Picasso&#8221;\u00a0<br \/>\n<em><\/em><\/p><\/blockquote>\n<blockquote><p><em>Man is still the most extraordinary computer of all.<\/em>  ~John F. Kennedy<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>User, n. The word computer professionals use when they mean &#8220;idiot.&#8221; ~Dave Barry&#8221;\u00a0 But they are useless. They can only give you answers. ~Pablo Picasso&#8221;\u00a0 Man is still the most extraordinary computer of all. ~John F. Kennedy<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1567","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1567"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1567\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}