{"id":1561,"date":"2008-12-21T01:05:00","date_gmt":"2008-12-21T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1561"},"modified":"2008-12-21T01:05:00","modified_gmt":"2008-12-21T09:05:00","slug":"_all_i_can_tell","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/12\/_all_i_can_tell\/","title":{"rendered":"Weekend Extra: Two Violins With &#8220;Four Brothers&#8221;"},"content":{"rendered":"<p>All I can tell you about this is that the violinists are Katica Illenyi and Csaba Illenyi.The Hungarian <span class=\"Apple-style-span\" style=\"font-style: italic;\">Wikipedia<\/span> entry did not help me learn more. I only wish that Jimmy Giuffre had heard this version of his best-known composition and arrangement.&#8221;\u00a0<\/p>\n<div><\/div>\n<div>&#8221;\u00a0&#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0<object width=\"440\" height=\"355\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/YsXyKV8ElkM&amp;hl=en&amp;fs=1\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/YsXyKV8ElkM&amp;hl=en&amp;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"440\" height=\"355\"><\/object>&#8221;\u00a0<\/p>\n<div style=\"text-align: center;\">\n<div style=\"text-align: left;\"><\/div>\n<div style=\"text-align: left;\">Thanks to Bobby Shew for calling this to our attention.<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>All I can tell you about this is that the violinists are Katica Illenyi and Csaba Illenyi.The Hungarian Wikipedia entry did not help me learn more. I only wish that Jimmy Giuffre had heard this version of his best-known composition and arrangement.&#8221;\u00a0 &#8221;\u00a0&#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0 &#8221;\u00a0&#8221;\u00a0 Thanks to Bobby Shew for calling this [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1561","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1561"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1561\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}