{"id":1528,"date":"2008-11-15T20:45:00","date_gmt":"2008-11-16T04:45:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1528"},"modified":"2008-11-15T20:45:00","modified_gmt":"2008-11-16T04:45:00","slug":"compatible_quotes_toots_thiele","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/11\/compatible_quotes_toots_thiele\/","title":{"rendered":"Compatible Quotes: Toots Thielemans"},"content":{"rendered":"<blockquote>\n<p><small><em><font style=\"FONT-SIZE: 1.25em\">And if I have a strong point, it&#8217;s that I like to believe it&#8217;s not cheap or schmaltzy sentimentality. <\/font><\/em><\/small><\/p>\n<p><small><em><font style=\"FONT-SIZE: 1.25em\">You can be in Tokyo or Alberta at four in the morning in your hotel and you can still practice if you feel like it. A trombone cannot do that at four in the morning.<\/font><\/< em><\/p>\n<\/blockquote>\n<p><\/em><\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>And if I have a strong point, it&#8217;s that I like to believe it&#8217;s not cheap or schmaltzy sentimentality. You can be in Tokyo or Alberta at four in the morning in your hotel and you can still practice if you feel like it. A trombone cannot do that at four in the morning.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1528","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1528"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1528\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}