{"id":1527,"date":"2008-11-15T20:47:20","date_gmt":"2008-11-16T04:47:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1527"},"modified":"2008-11-15T20:47:20","modified_gmt":"2008-11-16T04:47:20","slug":"weekend_extra_toots_and_quincy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/11\/weekend_extra_toots_and_quincy\/","title":{"rendered":"Weekend Extra: Toots And Quincy"},"content":{"rendered":"<p>The <em>You Tube<\/em> heading for this video clip of Toots Thielemans at the Montreux Jazz Festival in 1992 says that it has been viewed 40,422 times. Do yourself a favor and make it 40,423. Quincy Jones&nbsp;was the conductor of the WDR Big Band. He was enamored of Toots&#8217;s musicality, wit and warmth. Who isn&#8217;t?<\/p>\n<p align=\"center\"><embed src=\"http:\/\/www.youtube.com\/v\/CBneADO6cIk&amp;hl=en&amp;fs=1\" width=\"425\" height=\"344\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\"><\/p>\n<p>Have a good weekend. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The You Tube heading for this video clip of Toots Thielemans at the Montreux Jazz Festival in 1992 says that it has been viewed 40,422 times. Do yourself a favor and make it 40,423. Quincy Jones&nbsp;was the conductor of the WDR Big Band. He was enamored of Toots&#8217;s musicality, wit and warmth. Who isn&#8217;t? Have [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1527"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1527\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}