{"id":1519,"date":"2008-11-06T09:59:38","date_gmt":"2008-11-06T17:59:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1519"},"modified":"2008-11-06T09:59:38","modified_gmt":"2008-11-06T17:59:38","slug":"correspondence_speaking_of_joe","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/11\/correspondence_speaking_of_joe\/","title":{"rendered":"Correspondence: Speaking Of Joe Sullivan&#8230;"},"content":{"rendered":"<p><em>Rifftides<\/em> reader Ken Dryden writes: <\/p>\n<blockquote><p>It&#8217;s funny, but I discovered Joe Sullivan the same way I found out about Meade Lux Lewis, when rocker Keith Emerson (of Emerson, Lake &amp; Palmer) recorded one of his pieces, &#8220;Little Rock Getaway.&#8221; Though there was very little in print of Sullivan&#8217;s work under his own name in the early 1970s, I managed to find a couple of LPs. He was also one of the pianists featured in Ralph Gleason&#8217;s <em>Jazz Casual<\/em> series, issued on a Koch CD with the Earl Hines performance and likely on DVD\/VHS in the series.<\/p><\/blockquote>\n<p>(In the <em>Jazz Casual <\/em>series, the <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2Fs%3Furl%3Dsearch-alias%253Ddvd%26field-keywords%3DJazz%2BCasual%2BJoe%2BSullivan%26x%3D13%26y%3D15&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Sullivan program<\/a> is paired with one featuring cornetist Muggsy Spanier. &#8212; DR)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides reader Ken Dryden writes: It&#8217;s funny, but I discovered Joe Sullivan the same way I found out about Meade Lux Lewis, when rocker Keith Emerson (of Emerson, Lake &amp; Palmer) recorded one of his pieces, &#8220;Little Rock Getaway.&#8221; Though there was very little in print of Sullivan&#8217;s work under his own name in the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1519","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1519"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1519\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}