{"id":1505,"date":"2008-10-27T01:02:00","date_gmt":"2008-10-27T08:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1505"},"modified":"2008-10-27T01:02:00","modified_gmt":"2008-10-27T08:02:00","slug":"dvd_bill_evans","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/10\/dvd_bill_evans\/","title":{"rendered":"DVD: Bill Evans"},"content":{"rendered":"<p><strong>Bill Evans<\/strong>, <em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FJazz-Icons-Bill-Evans-64-75%2Fdp%2FB001CW2HJW&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Live &#8217;64-&#8217;75<\/a><\/em> (Jazz Icons). We see and hear the most influential jazz pianist after<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"DISPLAY: inline\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Evans.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-right\" style=\"FLOAT: right; MARGIN: 0px 0px 20px 20px\" height=\"120\" alt=\"Evans.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Evans-thumb-120x120.jpg\" width=\"120\" \/><\/a><\/span>Bud Powell with four versions of his trio in concerts or television appearances in Scandinavia and France. In a slightly disjointed encounter, Lee Konitz is the guest on one tune. Otherwise, Evans is deep in conversation with his sidemen: bassists Eddie Gomez, Chuck Israels and Neils-Henning \u00c3\u02dcrsted Pedersen: and drummers Larry Bunker, Alan Dawson, Marty Morell and the seldom seen Eliot Zigmund. Much of this video is rare. This is an enormously important release.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bill Evans, Live &#8217;64-&#8217;75 (Jazz Icons). We see and hear the most influential jazz pianist after Bud Powell with four versions of his trio in concerts or television appearances in Scandinavia and France. In a slightly disjointed encounter, Lee Konitz is the guest on one tune. Otherwise, Evans is deep in conversation with his sidemen: [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1505","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1505"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1505\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}