{"id":1504,"date":"2008-10-27T01:03:00","date_gmt":"2008-10-27T08:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1504"},"modified":"2008-10-27T01:03:00","modified_gmt":"2008-10-27T08:03:00","slug":"cd_andras_schiff_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/10\/cd_andras_schiff_1\/","title":{"rendered":"CD:  Andr\u00c3\u00a1s Schiff"},"content":{"rendered":"<p><strong>Andr\u00c3\u00a1s Schiff<\/strong>, <em>Ludwig van Beethoven: The Piano Sonatas, <\/em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FPiano-Sonatas-VII%2Fdp%2FB001AVUABW%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1225079233%26sr%3D1-1&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Vol. VII<\/em><\/a><em> and <\/em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FThe-Piano-Sonatas-Vol-VIII%2Fdp%2FB001CWOCM2%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1225079233%26sr%3D1-2&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>Vol. VIII <\/em><\/a><em>(ECM). <\/em>With<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Schiff.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"Schiff.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/01\/Schiff-thumb-100x100-2987.jpg\" width=\"100\" height=\"100\" class=\"mt-image-right\" style=\"float: right; margin: 0 0 20px 20px;\" \/><\/a><\/span>&#8221;\u00a0these CDs, the pianist completes his recording of the cycle of thirty-two Beethoven onatas written from 1795 to 1822. How Schiff&#8217;s approach to the sonatas compares with the<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"DISPLAY: inline\"><a href=\"http:\/\/www.artsjournal.com\/rifftides\/Schiff%20VII.jpg\"><\/a>&#8221;\u00a0<\/span>Beethoven visions of Arthur Schnabel, Sviatoslav Richter, Richard Goode and the many other great pianists who have recorded them is a matter of the knowledge, taste, temperament and ears of the listener. To these ears, he sees into the depths of these last six sonatas. To hear Schiff play the enigmatic final movement of number 32, the Opus 111, is to understand something of the mystery of Beethoven&#8217;s genius.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andr\u00c3\u00a1s Schiff, Ludwig van Beethoven: The Piano Sonatas, Vol. VII and Vol. VIII (ECM). With&#8221;\u00a0these CDs, the pianist completes his recording of the cycle of thirty-two Beethoven onatas written from 1795 to 1822. How Schiff&#8217;s approach to the sonatas compares with the &#8221;\u00a0Beethoven visions of Arthur Schnabel, Sviatoslav Richter, Richard Goode and the many other [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1504"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1504\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}