{"id":150,"date":"2005-08-30T01:05:00","date_gmt":"2005-08-30T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=150"},"modified":"2005-08-30T01:05:00","modified_gmt":"2005-08-30T08:05:00","slug":"the_new_sonny_rollins_cd","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/08\/the_new_sonny_rollins_cd\/","title":{"rendered":"The New Sonny Rollins CD"},"content":{"rendered":"<p>The new Sonny Rollins CD is out, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/06\/sonny_rollins.html\"target=\"_blank\"> the one I raved about<\/a> after I heard the advance a couple of months ago.<\/p>\n<blockquote><p>Rollins is amazing on the title track and &#8220;Where or When.&#8221; Stephen Scott&#8217;s piano solos, dazzling and capricious, run Sonny a close second. Trombonist Clifton Anderson has a good night, and Bob Cranshaw demonstrates that a great player can give electric bass lines the definition, clarity, and swing of the acoustic instrument.<\/p><\/blockquote>\n<p>The album is <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&amp;camp=1789&amp;tag=rifftidougram-20&amp;creative=9325&amp;path=tg\/detail\/-\/B000A7DVNQ\/qid=1125179163\/sr=8-2\/ref=pd_bbs_2?v=glance%26s=music%26n=507846\"target=\"_blank\"><em>Without A Song: The 9\/11 Concert<\/em><\/a><\/em>. Rollins plays with the force of the emotions he took into his concert four days after he witnessed the attacks on the twin towers, a story told by Bob Blumenthal in his notes for the CD. Sonny is elemental in this performance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Sonny Rollins CD is out, the one I raved about after I heard the advance a couple of months ago. Rollins is amazing on the title track and &#8220;Where or When.&#8221; Stephen Scott&#8217;s piano solos, dazzling and capricious, run Sonny a close second. Trombonist Clifton Anderson has a good night, and Bob Cranshaw [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}