{"id":1495,"date":"2008-10-21T01:05:00","date_gmt":"2008-10-21T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1495"},"modified":"2008-10-21T01:05:00","modified_gmt":"2008-10-21T08:05:00","slug":"a_fifth_more_perfect","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/10\/a_fifth_more_perfect\/","title":{"rendered":"Correspondence And A Clip: A Fifth More Perfect&#8230;"},"content":{"rendered":"<p>Brooke Creswell, conductor of the Yakima Symphony Orchestra,&nbsp;sent a link to a piece of video that deals with the basics of harmony. The subject line of his message was, &#8220;A Fifth More Perfect Than Single Malt.&#8221; To see this instructive film, <a href=\"http:\/\/www.youtube.com\/watch?v=jhHAojVyeG0\">click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brooke Creswell, conductor of the Yakima Symphony Orchestra,&nbsp;sent a link to a piece of video that deals with the basics of harmony. The subject line of his message was, &#8220;A Fifth More Perfect Than Single Malt.&#8221; To see this instructive film, click here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1495","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1495"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1495\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}