{"id":1482,"date":"2008-10-09T01:06:00","date_gmt":"2008-10-09T08:06:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1482"},"modified":"2008-10-09T01:06:00","modified_gmt":"2008-10-09T08:06:00","slug":"bill_charlap_on_the_radio","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/10\/bill_charlap_on_the_radio\/","title":{"rendered":"Bill Charlap On The  Radio"},"content":{"rendered":"<p><p><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-right\" style=\"FLOAT: right; MARGIN: 0px 0px 20px 20px\" height=\"87\" alt=\"Charlap Three.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Charlap%20Three.jpg\" width=\"87\" \/>The Bill Charlap Trio with bassist Peter Washington and drummer Kenny Washington played Wednesday night in a live broadcast on National Public Radio and Newark, New Jersey&#8217;s, WBGO-FM. The program of well more than an hour consisted of one of the trio&#8217;s sets at New York&#8217;s Village Vanguard. Coincidentally, Charlap opened with Gigi Gryce&#8217;s &#8220;Satellite&#8221; (See the next item). If you missed the broadcast, you may be glad to know that NPR archived it. You can listen to it <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=95409237\">by going here<\/a> and clicking on &#8220;Listen Now.&#8221; I did that. It is playing as I write, and tonight &#8212; to quote Duke Ellington &#8212; I shall sleep with a smile on my face.<\/p>\n<p>&nbsp;<small><strong><em>(Pictured, L to R, Charlap, K. Washington, P. Washington)<\/em><\/strong><\/small> <\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Bill Charlap Trio with bassist Peter Washington and drummer Kenny Washington played Wednesday night in a live broadcast on National Public Radio and Newark, New Jersey&#8217;s, WBGO-FM. The program of well more than an hour consisted of one of the trio&#8217;s sets at New York&#8217;s Village Vanguard. Coincidentally, Charlap opened with Gigi Gryce&#8217;s &#8220;Satellite&#8221; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1482","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1482"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1482\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}