{"id":1467,"date":"2008-09-27T15:49:52","date_gmt":"2008-09-27T22:49:52","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1467"},"modified":"2008-09-27T15:49:52","modified_gmt":"2008-09-27T22:49:52","slug":"weekend_extra_ernestine_anders","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/09\/weekend_extra_ernestine_anders\/","title":{"rendered":"Weekend Extra: Ernestine Anderson, Milt Jackson"},"content":{"rendered":"<p>Researching an article that involves Ernestine Anderson, I came across this video of her rehearsing in Hungary in 1994 with Milt Jackson. It is one of several <em>YouTube<\/em> clips from the same occasion. The Hungarian musicians are not identified.<\/p>\n<p align=\"center\"><embed src=\"http:\/\/www.youtube.com\/v\/-us2uIgJKW8&amp;hl=en&amp;fs=1&amp;rel=0\" width=\"425\" height=\"344\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\"><\/p>\n<p><\/embed><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Researching an article that involves Ernestine Anderson, I came across this video of her rehearsing in Hungary in 1994 with Milt Jackson. It is one of several YouTube clips from the same occasion. The Hungarian musicians are not identified.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1467","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1467"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1467\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}