{"id":1465,"date":"2008-09-23T01:05:00","date_gmt":"2008-09-23T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1465"},"modified":"2008-09-23T01:05:00","modified_gmt":"2008-09-23T08:05:00","slug":"winstone_alert","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/09\/winstone_alert\/","title":{"rendered":"Winstone Alert"},"content":{"rendered":"<p><p>I know, I know; <strong>Doug&#8217;s Picks<\/strong> is overdue for new entries. They&#8217;ll be coming along, but the <em>Rifftides<\/em> staff is engaged in a number of projects, including&nbsp;preparation of&nbsp;a reading from <em><a href=\"http:\/\/www.libroslibertad.ca\/book.php?id=5\">Poodie James<\/a><\/em>, with strings. More about that later. Among other things, I&#8217;m writing the notes for a forthcoming CD co-led by <a href=\"http:\/\/www.talsanmusic.com\/\" target=\"_blank\">Charlie Shoemake<\/a> and <a href=\"http:\/\/www.mamajazz.org\/pages\/biotrotter.html\" target=\"_blank\">Terry Trotter<\/a>. It is a delight. I&#8217;m not at liberty to tell you about it except to say that its title is <em>Inside<\/em> and the music, uncompromising but accessible, is a delight. It will be released later this year. <\/p>\n<p>In any case, since Norma Winstone&#8217;s latest CD is one of the current picks (see the center column), it seems fitting to let you know that Bill Kirchner (pictured) has prepared a Winstone spectacular for his next broadcast, which will be streamed on the internet. Here is his announcement: <\/p>\n<\/p>\n<blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-left\" style=\"FLOAT: left; MARGIN: 0px 20px 20px 0px; WIDTH: 65px; HEIGHT: 82px\" height=\"101\" alt=\"Kirchner.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Kirchner.jpg\" width=\"79\" \/>Recently, I taped my next one-hour show for the &#8220;Jazz From The Archives&#8221; series. Presented by the Institute of Jazz Studies, the series runs every Sunday on WBGO-FM (88.3). <\/p>\n<p>Britain&#8217;s Norma Winstone (b. 1941) is not exactly a &#8220;well kept secret&#8221; (though that&#8217;s the title of one of her albums), but she&#8217;s much less known than she deserves to be, given her stature as one of the finest vocalists in current jazz. She&#8217;s capable of singing everything from standards to challenging original material. And she&#8217;s a first-rate lyricist as well. <\/p>\n<p>We&#8217;ll hear Winstone with trumpeter Kenny Wheeler, reed players Tony Coe and Klaus Gesing, pianists Jimmy Rowles, John Taylor, and Glauco Venier, bassist George Mraz, drummer Joe LaBarbera, and Wheeler&#8217;s big band. <\/p>\n<p>The show will air this Sunday, September 28, from 11 p.m. to midnight, Eastern Daylight Time. NOTE: If you live outside the New York City metropolitan area, WBGO also broadcasts on the Internet at <a href=\"http:\/\/www.wbgo.org\/\">www.wbgo.org<\/a>.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I know, I know; Doug&#8217;s Picks is overdue for new entries. They&#8217;ll be coming along, but the Rifftides staff is engaged in a number of projects, including&nbsp;preparation of&nbsp;a reading from Poodie James, with strings. More about that later. Among other things, I&#8217;m writing the notes for a forthcoming CD co-led by Charlie Shoemake and Terry [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1465"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1465\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}