{"id":1459,"date":"2008-09-16T01:04:00","date_gmt":"2008-09-16T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1459"},"modified":"2008-09-16T01:04:00","modified_gmt":"2008-09-16T08:04:00","slug":"compatible_quotes_sonny_rollin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/09\/compatible_quotes_sonny_rollin\/","title":{"rendered":"Compatible Quotes: Sonny Rollins"},"content":{"rendered":"<blockquote>\n<p><em>I think as long as people can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz<\/em>. &#8211; <strong>Sonny Rollins<\/strong> <\/p>\n<p><em>No one is original. Everyone is derivative.<\/em> &#8212; <strong>Sonny Rollins<\/strong> <\/p>\n<p><em>There was a period which I refer to as the &#8216;Golden Age of Jazz,&#8217; which sort of encompasses the middle thirties through the sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time.<\/em> &#8212; <strong>Sonny Rollins<\/strong> <\/p>\n<p><em>I guess I&#8217;m fortunate that I&#8217;m still around and I emphasize &#8220;I guess&#8221; because you never can tell what musicians would be playing had they been around as long as I have.<\/em> &#8211; <strong>Sonny Rollins <\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I think as long as people can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz. &#8211; Sonny Rollins No one is original. Everyone is derivative. &#8212; Sonny Rollins There was a period which I refer to as [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1459","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1459"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1459\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}