{"id":1446,"date":"2008-09-04T12:45:00","date_gmt":"2008-09-04T19:45:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1446"},"modified":"2008-09-04T12:45:00","modified_gmt":"2008-09-04T19:45:00","slug":"domnerus_in_action","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/09\/domnerus_in_action\/","title":{"rendered":"Domn\u00c3\u00a9rus In Action"},"content":{"rendered":"<p align=\"center\">Despite his ability early in his career to approximate Charlie Parker, throughout Arne Domn\u00c3\u00a9rus&#8217;s life, Benny Carter remained a primary inspiration. In this 2000 performance in Paris with pianist Claes Crona, Domn\u00c3\u00a9rus thoroughly explores Carter&#8217;s &#8220;When Lights Are Low.&#8221;<embed src=\"http:\/\/www.youtube.com\/v\/fxs1V5D4WgA&amp;hl=en&amp;fs=1&amp;rel=0\" width=\"425\" height=\"344\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\"><\/p>\n<p><\/embed><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despite his ability early in his career to approximate Charlie Parker, throughout Arne Domn\u00c3\u00a9rus&#8217;s life, Benny Carter remained a primary inspiration. In this 2000 performance in Paris with pianist Claes Crona, Domn\u00c3\u00a9rus thoroughly explores Carter&#8217;s &#8220;When Lights Are Low.&#8221;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1446","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1446"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1446\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}