{"id":1444,"date":"2008-09-01T16:18:22","date_gmt":"2008-09-01T23:18:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1444"},"modified":"2008-09-01T16:18:22","modified_gmt":"2008-09-01T23:18:22","slug":"other_places_jazzwax_on_louis","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/09\/other_places_jazzwax_on_louis\/","title":{"rendered":"Other Places: JazzWax on Louis and Bix"},"content":{"rendered":"<p>The Bix Beiderbecke discussion that began here last week has spread to other precincts of the internet, most recently in an entry on Marc Myers&#8217;s <em>JazzWax<\/em>. Marc builds on what he points out is an absurd trumped-up competition, Beiderbecke vs. Louis Armstrong; as if music was boxing, a track event or a beauty contest. To read it, and hear the recording of Bix&#8217;s &#8220;Sorry,&#8221; <a href=\"http:\/\/www.jazzwax.com\/2008\/09\/bix-v-pops-and.html\" target=\"_blank\">go here<\/a>. <\/p>\n<p>And don&#8217;t miss this phrase in Myers&#8217;s text&#8230;<\/p>\n<blockquote dir=\"ltr\" style=\"MARGIN-RIGHT: 0px\">\n<p>&#8230;the rubbery bark of Adrian Rollini&#8217;s bass sax. <\/p>\n<\/blockquote>\n<p>That&#8217;s a nice piece of writing. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Bix Beiderbecke discussion that began here last week has spread to other precincts of the internet, most recently in an entry on Marc Myers&#8217;s JazzWax. Marc builds on what he points out is an absurd trumped-up competition, Beiderbecke vs. Louis Armstrong; as if music was boxing, a track event or a beauty contest. To [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1444","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1444"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1444\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}