{"id":1442,"date":"2008-08-30T01:05:00","date_gmt":"2008-08-30T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1442"},"modified":"2008-08-30T01:05:00","modified_gmt":"2008-08-30T08:05:00","slug":"compatible_quotes_bix_beiderbe","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/08\/compatible_quotes_bix_beiderbe\/","title":{"rendered":"Compatible Quotes: Bix Beiderbecke"},"content":{"rendered":"<blockquote dir=\"ltr\" style=\"MARGIN-RIGHT: 0px\">\n<p><em>One of the things I like about jazz, kid, is I don&#8217;t know what&#8217;s going to happen next. Do you? <\/em>&#8212; <strong>Bix Beiderbecke<\/strong> <\/p>\n<p><em>Finally Beiderbecke took out a silver cornet. He put it to his lips and blew a phrase. The sound came out like a girl saying &#8216;yes&#8217;.<\/em> &#8212; <strong>Eddie Condon<\/strong> <\/p>\n<p><em>&#8230;and all of a sudden Bix stood up and took a solo and I&#8217;m telling you those pretty notes went all through me.&#8211; <\/em><strong>Louis Armstrong<\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>One of the things I like about jazz, kid, is I don&#8217;t know what&#8217;s going to happen next. Do you? &#8212; Bix Beiderbecke Finally Beiderbecke took out a silver cornet. He put it to his lips and blew a phrase. The sound came out like a girl saying &#8216;yes&#8217;. &#8212; Eddie Condon &#8230;and all of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1442","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1442"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1442\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}