{"id":144,"date":"2005-08-27T01:03:00","date_gmt":"2005-08-27T08:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=144"},"modified":"2005-08-27T01:03:00","modified_gmt":"2005-08-27T08:03:00","slug":"quote_2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/08\/quote_2\/","title":{"rendered":"Quote"},"content":{"rendered":"<p><strong>Alec Wilder on Irving Berlin&#8217;s &#8220;Puttin&#8217; On The Ritz.&#8221;<\/strong><\/p>\n<blockquote><p>Berlin keeps you totally off-balance until the fifth bar, where he sensibly lands on a whole note tied to a half note and then whips you with the title phrase in eighth notes. The release, again sensibly, he leaves for the most part unrhythmic. The structure is straight A-A-B-A. It&#8217;s a marvelous song.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0195014456\/qid=1125011399\/sr=2-1\/ref=pd_bbs_b_2_1\/103-7027671-5383850?v=glance&#038;s=books\"target=\"_blank\">Wilder: American Popular Song <\/a>(Oxford)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alec Wilder on Irving Berlin&#8217;s &#8220;Puttin&#8217; On The Ritz.&#8221; Berlin keeps you totally off-balance until the fifth bar, where he sensibly lands on a whole note tied to a half note and then whips you with the title phrase in eighth notes. The release, again sensibly, he leaves for the most part unrhythmic. The structure [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-144","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=144"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/144\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}