{"id":14133,"date":"2020-09-16T10:51:16","date_gmt":"2020-09-16T17:51:16","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=14133"},"modified":"2020-09-17T09:35:47","modified_gmt":"2020-09-17T16:35:47","slug":"were-back-pianist-denny-zeitlins-new-trio-album-for-sunnyside","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2020\/09\/were-back-pianist-denny-zeitlins-new-trio-album-for-sunnyside\/","title":{"rendered":"We&#8217;re Back: Pianist Denny Zeitlin&#8217;s New Trio Album for Sunnyside"},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-14134\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/09\/unnamed-300x271.jpg\" alt=\"\" width=\"300\" height=\"271\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/09\/unnamed-300x271.jpg 300w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/09\/unnamed-200x181.jpg 200w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/09\/unnamed.jpg 482w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n<div>As&#8221;\u00a0<i>Rifftides<\/i> readers have undoubtedly noticed, it has been a long time since we posted. We are creating a new post in hopes &#8221;\u00a0that it will open the way to resumption of frequent reports as part of the&#8221;\u00a0<a href=\"http:\/\/artsjournal.com\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/artsjournal.com&amp;source=gmail&amp;ust=1600346154810000&amp;usg=AFQjCNEpxZ8wz9DXL3TktSqV044343Pdlw\">artsjournal.com<\/a>&#8221;\u00a0mission to keep you up to date on jazz and other matters.<\/div>\n<div><\/div>\n<div>Pianist Denny Zeitlin\u00e2\u20ac\u2122s stunning new trio album for the Sunnyside label is one that we have been hoping for weeks to call to your attention. Zeitlin&#8217;s interaction with bassist Buster Williams and drummer Matt Wilson makes the collection a highlight among recent releases in all jazz genres. Our hope is to resume regular reports on the most worthwhile new &#8221;\u00a0jazz albums, as we did for years before we were assaulted by a recent succession of posting problems.<\/div>\n<div><\/div>\n<div>Not included in the album but presented later as a video memory of the Zeitlin Trio engagement is this version of a Howard Dietz-Arthur Schwartz classic, &#8220;You And The Night And The Music.\u00e2\u20ac\u0153<\/div>\n<p align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3PQQx96d1m0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As&#8221;\u00a0Rifftides readers have undoubtedly noticed, it has been a long time since we posted. We are creating a new post in hopes &#8221;\u00a0that it will open the way to resumption of frequent reports as part of the&#8221;\u00a0artsjournal.com&#8221;\u00a0mission to keep you up to date on jazz and other matters. Pianist Denny Zeitlin\u00e2\u20ac\u2122s stunning new trio album [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14134,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-14133","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-recommendations","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/14133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=14133"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/14133\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/14134"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=14133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=14133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=14133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}