{"id":1383,"date":"2008-06-28T01:05:00","date_gmt":"2008-06-28T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1383"},"modified":"2008-06-28T01:05:00","modified_gmt":"2008-06-28T08:05:00","slug":"tributes_to_bob_florence","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/tributes_to_bob_florence\/","title":{"rendered":"Tributes To Bob Florence"},"content":{"rendered":"<p>Friends and admirers of Bob Florence, including his Limited Edition band, gathered at the Catalina Bar and Grill in Hollywood on June 15 to pay tribute to the arranger, composer, leader and pianist.. <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2008\/05\/bob_florence.html\" target=\"_blank\">Florence died exactly a month earlier<\/a> at the age of seventy-five. In Florence&#8217;s honor, the piano remained silent. A jazz fan and videographer, Mike Kaiser, captured the Limited Edition playing Billy Strayhorn&#8217;s &#8220;Chelsea Bridge in Florence&#8217;s arrangement and posted it on the<em> Daily Motion<\/em> web site. The band is made up of Los Angeles luminaries. Trombonists Charlie Loper and Bob McChesney are&nbsp;featured soloists in the Strayhorn. Guitarist Larry Koonse also solos. The drumming, done with his patented combination of energy, precision and looseness, is by Peter Erskine.<\/p>\n<div><embed src=\"http:\/\/www.dailymotion.com\/swf\/x5wyli&amp;related=1\" width=\"440\" height=\"336\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/div>\n<div>Here is the personnel of the Limited Edition: <\/div>\n<div><strong>Saxes<\/strong>: Jennifer Hall, Tom Peterson, Don Shelton, Kim Richmond, Billy Kerr, Bob Efford <\/div>\n<div><strong>Trombones<\/strong>: Alex Iles, Charlie Loper, Bob McChesney, Don Waldrop <\/div>\n<div><strong>Trumpets<\/strong>: Steve Huffsteter, Pete DeSiena, Carl Saunders, Lee Thornburg, Ron Stout <\/div>\n<div><strong>Bass<\/strong>: Trey Henry <\/div>\n<div><strong>Drums<\/strong>: Peter Erskine <\/div>\n<div><strong>Guitar<\/strong>: Larry Koonse <\/div>\n<div>&nbsp;<\/div>\n<div>A dedicated educator, Florence was scheduled to lead an all-star band at the Centrum <a href=\"http:\/\/www.centrum.org\/jazz\/\" target=\"_blank\">Jazz Port Townsend Festival <\/a>in Washington State on July 26th. He was for years a faculty member at the week-long jazz workshop held in connection with the festival. Composer-arranger <a href=\"http:\/\/www.kimrichmond.com\/\" target=\"_blank\">Kim Richmond<\/a>, lead alto saxophonist of The Limited Edition and a Florence prot\u00c3\u00a9g\u00c3\u00a9, will conduct the Centrum band in yet another tribute to his boss.<\/div>\n<div>&nbsp;<\/div>\n<div>As Mike Kaiser notes in&nbsp;the comment section of this entry, he posted on <em>YouTube<\/em> <a href=\"http:\/\/youtube.com\/results?search_query=bob+florence+catalina&amp;search_type=&amp;aq=f\">four additional performances<\/a> from the June 15 tribute.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Friends and admirers of Bob Florence, including his Limited Edition band, gathered at the Catalina Bar and Grill in Hollywood on June 15 to pay tribute to the arranger, composer, leader and pianist.. Florence died exactly a month earlier at the age of seventy-five. In Florence&#8217;s honor, the piano remained silent. A jazz fan and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1383","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1383"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1383\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}