{"id":1382,"date":"2008-06-26T01:04:00","date_gmt":"2008-06-26T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1382"},"modified":"2008-06-26T01:04:00","modified_gmt":"2008-06-26T08:04:00","slug":"compatible_quotes_45","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/compatible_quotes_45\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote dir=\"ltr\" style=\"MARGIN-RIGHT: 0px\">\n<p><em>Exactly how Anderson keeps her contralto so plush and supple ranks among the sweet imponderables of the art of jazz singing&#8230;. she remains an eloquent song interpreter with a broad array of expressive devices at her command<\/em>. &#8212; Howard Reich, <em>Chicago Tribune<\/em>, September, 2004 <\/p>\n<p><em>Anderson remains a wonderfully expressive vocalist, able to pierce the emotional core of a lyric with seemingly little effort.<\/em> &#8212; Mike Joyce, <em>The Washington Post<\/em>, May, 1999 <\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Exactly how Anderson keeps her contralto so plush and supple ranks among the sweet imponderables of the art of jazz singing&#8230;. she remains an eloquent song interpreter with a broad array of expressive devices at her command. &#8212; Howard Reich, Chicago Tribune, September, 2004 Anderson remains a wonderfully expressive vocalist, able to pierce the emotional [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1382","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1382"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1382\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}