{"id":1373,"date":"2008-06-15T01:05:00","date_gmt":"2008-06-15T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1373"},"modified":"2008-06-15T01:05:00","modified_gmt":"2008-06-15T08:05:00","slug":"weekend_extra_more_good_singin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/weekend_extra_more_good_singin\/","title":{"rendered":"Weekend Extra: More Good Singing"},"content":{"rendered":"<p>The <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2008\/06\/ooh.html\" target=\"_blank\">Frank Sinatra-Peggy Lee video<\/a> generated a batch of interesting comments and&nbsp;a lead to a clip featuring Lee and Julius LaRosa,&nbsp;a singer we don&#8217;t hear much about these days&#8230;but should. Points of interest: LaRosa&nbsp;at ease&nbsp;riding on Nelson Riddle&#8217;s arrangement of a little-known song, and Lee, unaccompanied, swinging the first&nbsp;six notes from a dead stop&nbsp;as she heads into&nbsp;the chorus in &#8220;Don&#8217;t Get Around Much Anymore.&#8221;&nbsp;We don&#8217;t get to hear Nat Cole sing or play&nbsp;in this video, but it&#8217;s his show.<\/p>\n<p><embed src=\"http:\/\/www.youtube.com\/v\/g05fFgjObfU&amp;hl=en\" width=\"425\" height=\"344\" type=\"application\/x-shockwave-flash\"><\/p>\n<p><\/embed><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Frank Sinatra-Peggy Lee video generated a batch of interesting comments and&nbsp;a lead to a clip featuring Lee and Julius LaRosa,&nbsp;a singer we don&#8217;t hear much about these days&#8230;but should. Points of interest: LaRosa&nbsp;at ease&nbsp;riding on Nelson Riddle&#8217;s arrangement of a little-known song, and Lee, unaccompanied, swinging the first&nbsp;six notes from a dead stop&nbsp;as she [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1373","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1373"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1373\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}