{"id":1368,"date":"2008-06-10T00:01:00","date_gmt":"2008-06-10T07:01:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1368"},"modified":"2008-06-10T00:01:00","modified_gmt":"2008-06-10T07:01:00","slug":"book_glenn_gould","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/book_glenn_gould\/","title":{"rendered":"Book: Glenn Gould"},"content":{"rendered":"<p>Katie Hafner, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FRomance-Three-Legs-Obsessive-Perfect%2Fdp%2F1596915242&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>A Romance on Three Legs <\/em><\/a>(Bloomsbury). The story of Glenn Goul<img loading=\"lazy\" decoding=\"async\" class=\"mt-image-right\" style=\"FLOAT: right; MARGIN: 0px 0px 20px 20px; WIDTH: 124px; HEIGHT: 103px\" height=\"240\" alt=\"Hafner.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Hafner.jpg\" width=\"240\" \/>d&#8217;s search for the perfect piano allows us to know the great pianist&#8211;and&nbsp;great eccentric&#8211;a little better.&nbsp;The book is a&nbsp;superb piece of reporting,&nbsp;its subtext a meditation on the compelling nature of music and its ability to inspire obsession.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katie Hafner, A Romance on Three Legs (Bloomsbury). The story of Glenn Gould&#8217;s search for the perfect piano allows us to know the great pianist&#8211;and&nbsp;great eccentric&#8211;a little better.&nbsp;The book is a&nbsp;superb piece of reporting,&nbsp;its subtext a meditation on the compelling nature of music and its ability to inspire obsession.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1368","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1368"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1368\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}