{"id":1367,"date":"2008-06-10T00:02:00","date_gmt":"2008-06-10T07:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1367"},"modified":"2008-06-10T00:02:00","modified_gmt":"2008-06-10T07:02:00","slug":"dvd_peggy_lee","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/dvd_peggy_lee\/","title":{"rendered":"DVD: Peggy Lee"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FFever-Music-Peggy-Lee%2Fdp%2FB0001NBLEA&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"DISPLAY: inline\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-left\" style=\"FLOAT: left; MARGIN: 0px 20px 20px 0px; WIDTH: 147px; HEIGHT: 129px\" height=\"240\" alt=\"Lee.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Lee.jpg\" width=\"240\" \/><\/span>Fever, The Music of Peggy Lee<\/a><\/em> (Capitol). This quasi-documentary sketches Peggy Lee&#8217;s life and career. Its greatest contribution is the use of performance clips, interviews and informal films to create a portrait of a gifted artist whose human warmth matched her talent. She was terrific even in a shampoo commercial. Her first husband, the guitarist Dave Barbour, remained her great love even beyond their divorce. The bonus clip of Lee singing &#8220;I Only Have Eyes for You&#8221; to Barbour as he accompanies her underlines the heartbreaking story better than the script&nbsp;does in the main section.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fever, The Music of Peggy Lee (Capitol). This quasi-documentary sketches Peggy Lee&#8217;s life and career. Its greatest contribution is the use of performance clips, interviews and informal films to create a portrait of a gifted artist whose human warmth matched her talent. She was terrific even in a shampoo commercial. Her first husband, the guitarist [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1367","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1367"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1367\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}