{"id":1365,"date":"2008-06-10T00:04:00","date_gmt":"2008-06-10T07:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1365"},"modified":"2008-06-10T00:04:00","modified_gmt":"2008-06-10T07:04:00","slug":"cd_ed_reed_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/cd_ed_reed_1\/","title":{"rendered":"CD: Ed Reed"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"DISPLAY: inline\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-left\" style=\"FLOAT: left; MARGIN: 0px 20px 20px 0px; WIDTH: 97px; HEIGHT: 98px\" height=\"122\" alt=\"Reed.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Reed.jpg\" width=\"136\" \/><\/span>Ed Reed, <em><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FSong-You-Ed-Reed%2Fdp%2FB0019FDZCK%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1213077463%26sr%3D1-2&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">The Song Is You<\/a> <\/em>(Blue Shorts). His career was derailed by a troubled life, but as he approaches his eightieth year, Reed&#8217;s second CD confirms that he is a singer who serves the song. Not a great vocal technician, he specializes in phrasing and interpretation that penetrate to the heart and meaning of lyrics. Among thirteen well-chosen songs, the title tune and &#8220;Lucky To Be Me&#8221; are essential performances. The small band led by Peck Allmond includes Russell George, once a superb bassist, now an equally good violinist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ed Reed, The Song Is You (Blue Shorts). His career was derailed by a troubled life, but as he approaches his eightieth year, Reed&#8217;s second CD confirms that he is a singer who serves the song. Not a great vocal technician, he specializes in phrasing and interpretation that penetrate to the heart and meaning of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1365","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1365"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1365\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}