{"id":1361,"date":"2008-06-06T01:04:00","date_gmt":"2008-06-06T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1361"},"modified":"2008-06-06T01:04:00","modified_gmt":"2008-06-06T08:04:00","slug":"compatible_quotes_44","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/compatible_quotes_44\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote>\n<p>Great artists pay homage to Billy Strayhorn&#8217;s God-given ability and mastery of his craft. Because he had a rare sensitivity and applied himself to his gifts, he successfully married melody, words and harmony, equating the fitting with happiness. &#8212; <strong>Duke Ellington<\/strong><\/p>\n<p>&nbsp;&#8216;A&#8217; Train was born without any effort &#8211; if was like writing a letter to a friend. &#8212; <strong>Billy Strayhorn<\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Great artists pay homage to Billy Strayhorn&#8217;s God-given ability and mastery of his craft. Because he had a rare sensitivity and applied himself to his gifts, he successfully married melody, words and harmony, equating the fitting with happiness. &#8212; Duke Ellington &nbsp;&#8216;A&#8217; Train was born without any effort &#8211; if was like writing a letter [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1361","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1361"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1361\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}