{"id":1358,"date":"2008-06-04T01:05:00","date_gmt":"2008-06-04T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1358"},"modified":"2008-06-04T01:05:00","modified_gmt":"2008-06-04T08:05:00","slug":"freddie_hubbard","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/freddie_hubbard\/","title":{"rendered":"Freddie Hubbard!"},"content":{"rendered":"<p>Here&#8217;s something I&#8217;ve been saving for a slow day&#8211;that is, a day when I haven&#8217;t prepared a new posting. It&#8217;s Freddie Hubbard in 1962 at age twenty-four, getting famous with Art Blakey and the Jazz Messengers. To many, this was <em>the <\/em>Blakey band. It had Wayne Shorter, Curtis Fuller, Cedar Walton, Reggie Workman and Hubbard. Watch for Blakey&#8217;s smile when Hubbard tears into the second chorus of his solo with that beautifully placed&nbsp;allusion to&nbsp;&#8220;Why Don&#8217;t You Do Right?&#8221; <\/p>\n<p align=\"center\">.<embed src=\"http:\/\/www.youtube.com\/v\/4noNAphDFA8&amp;hl=en&amp;rel=0\" width=\"425\" height=\"355\" type=\"application\/x-shockwave-flash\" wmode=\"transparent\"><\/p>\n<p>It&#8217;s too bad this is cut short after Hubbard, but with <em>YouTube<\/em>, you take what you get. <\/p>\n<p><\/embed><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s something I&#8217;ve been saving for a slow day&#8211;that is, a day when I haven&#8217;t prepared a new posting. It&#8217;s Freddie Hubbard in 1962 at age twenty-four, getting famous with Art Blakey and the Jazz Messengers. To many, this was the Blakey band. It had Wayne Shorter, Curtis Fuller, Cedar Walton, Reggie Workman and Hubbard. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1358","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1358"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1358\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}