{"id":1355,"date":"2008-06-01T10:37:19","date_gmt":"2008-06-01T17:37:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1355"},"modified":"2008-06-01T10:37:19","modified_gmt":"2008-06-01T17:37:19","slug":"butch_warren","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/06\/butch_warren\/","title":{"rendered":"Weekend Extra: Butch Warren"},"content":{"rendered":"<p>Butch Warren&nbsp;was a fixture on Blue Note albums in the<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"DISPLAY: inline\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-right\" style=\"FLOAT: right; MARGIN: 0px 0px 20px 20px\" height=\"103\" alt=\"Warren.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Warren.jpg\" width=\"92\" \/><\/span>1960s. One of the bright young bassists of his generation, he recorded with Herbie Hancock, Dexter Gordon, Jackie McLean, Thelonious Monk and others. Then he disappeared. <\/p>\n<p>Reporting for MSNBC, Antoine Sanfuentes found Warren,&nbsp;traced&nbsp;his success, downward trajectory and attempt to re-etablish his career. <a href=\"http:\/\/www.msnbc.msn.com\/id\/24864395\">The piece<\/a> includes a link to a video profile of Warren. Thanks to Larry Appelbaum for calling our attention to it. <\/p>\n<p>For more on Warren, from <em>The Washington Post<\/em>, go <a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2006\/05\/20\/AR2006052001226.html\">here<\/a> and <a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2007\/07\/30\/AR2007073001633.html\">here<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Butch Warren&nbsp;was a fixture on Blue Note albums in the 1960s. One of the bright young bassists of his generation, he recorded with Herbie Hancock, Dexter Gordon, Jackie McLean, Thelonious Monk and others. Then he disappeared. Reporting for MSNBC, Antoine Sanfuentes found Warren,&nbsp;traced&nbsp;his success, downward trajectory and attempt to re-etablish his career. The piece includes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1355","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1355"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1355\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}