{"id":1341,"date":"2008-05-18T01:05:00","date_gmt":"2008-05-18T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1341"},"modified":"2008-05-18T01:05:00","modified_gmt":"2008-05-18T08:05:00","slug":"other_matters_up_jumped_spring","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/05\/other_matters_up_jumped_spring\/","title":{"rendered":"Other Matters: Up Jumped Spring, Part Two"},"content":{"rendered":"<p>It doesn&#8217;t take much to make me miss New York City. Bill Cunningham of <em>The New York Times<\/em> is particularly good at it. The other day, I <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2008\/05\/up_jumped_spring.html\" target=\"_blank\">gave you a hint<\/a> of what spring is like where I am now. <a href=\"http:\/\/www.nytimes.com\/packages\/html\/fashion\/20080517_STREET_FEATURE\/index.html\" target=\"_blank\">Cunningham&#8217;s latest photo essay<\/a> takes us to a special part of New York. Thanks to <em>Rifftides <\/em>reader Mack Parkhill for calling it to our attention.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It doesn&#8217;t take much to make me miss New York City. Bill Cunningham of The New York Times is particularly good at it. The other day, I gave you a hint of what spring is like where I am now. Cunningham&#8217;s latest photo essay takes us to a special part of New York. Thanks to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1341","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1341"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1341\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}